Imperious Unity

“We see the depth, the smoothness, the softness, the hardness of objects; Cézanne even claimed that we see their odor. If the painter is to express the world, the arrangement of his colors must carry with it this invisible whole, or else his picture will only hint at things and will not give them in the imperious unity, the presence, the insurpassable plenitude which is for us the definition of the real. That is why each brush stroke must satisfy an infinite number of conditions. Cézanne sometimes pondered for hours at a time before putting down a certain stroke, for, as Bernard said, each stroke must ‘contain the air, the light, the object, the composition, the character, the outline, and the style.’ Expressing what exists is an endless task.”

                                                                                                 –Merleau-Ponty

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